The music is made of sounds? Yes, only sound? Clearly not. And what's more? There is so much more.
First, there is life, because life without music is unthinkable to have and, in my opinion, the opposite. The music is a trace of life, as is the art in general and as are many other things or activities. The philosophy of language teaches us that there is a close connection between biology and meaning where there is no sign of life, man is immersed in the language and meaning makes a person. Art also moves between the meanings we play them weaves, takes it and the music, especially when it involves a written or recited, also weaves the senses, through the harmonization of instrumental and vocal textures in time, or better, in time. As we know, nothing escapes the time, let alone the music that even the scans: there is a rhythm, a rhythm, dynamics, accents. All this is, so to speak, within a logic the sound.
VIS MUSICÆ is treating many interesting topics that leave room for many thoughts and in my case, mixing rap and sign language, they have resulted in an interesting question: can there be a visual Rap? I think so. But it may be a shift from the floor to the sounds of the images? Well, once Keith Richards (Rolling Stones guitarist) called musicians like painters who paint on the canvas of silence and I open more than a little imagination. But how "sound" visual music? And because I spoke specifically of visual Rap? The visual music already exists, and you continue to experience, however, between the various genres of music, my choice was Rap right on the light of its structure, its essence, which is based on two essential elements: the text and rhythm. There is no word rap, but it must be projected against a rhythmic accompaniment, in which time is marked regularly and usually with little change from start to finish a song. But when a drummer plays the rhythm we perceive only sound? If we observe it, than to listen, not really. His act also takes time. Here the canvas is silence, is space. We only need a smooth and coordinated movement of arms, legs or body, perhaps capable of expressing a certain desired intensity, to get our "rhythm view ". The vocalist clearly would use sign language to express the content of his lyrics to "sing" his texts, but clearly going in time with the rhythm dictated by the "gestural drummer", thus creating a "melodic line visual Cell. All this could then become even richer and more complex with the addition of "visual music instruments", that is to harmonize the visual rhythm as a function of their "gestural patterns, different from instrument to instrument, with regular variations, capable of marking further steps to verse chorus. (Clearly this is the gist of the idea, because the issue needs more thorough analysis)
I believe that deaf children may find this "visual Rap" their sacred dimension of music, not only for technical and structural reasons that I studied, but also for socio- Culture: The Rap was born from sharing situations, problems, emotions from people belonging to the same status, a great community that continued to tell his stories in music, in line with the traditional Jazz, Blues and Soul.
This genre may then become even more disruptive, in addition to wearing "clothes sound" even the purely visual, giving a large number of young people the chance to share with enormous vitality, their cry. Why is the "Rap of view" would certainly be a scream and a muffled moan.
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